Alerts RS to the fact that there is an 'underhand sale' of the prints of [H. W.] Pickersgill's portrait of JH going on, as JH's cousin bought one.
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The Sir John Herschel Collection
The preparation of the print Calendar of the Correspondence of Sir John Herschel (Michael J. Crowe ed., David R. Dyck and James J. Kevin assoc. eds, Cambridge, England: Cambridge Univ. Press, 1998, viii + 828 pp) which was funded by the National Science Foundation, took ten years. It was accomplished by a team of seventeen professors, visiting scholars, graduate students, advanced undergraduates, and staff working at the University of Notre Dame.
The first online version of Calendar was created in 2009 by Dr Marvin Bolt and Steven Lucy, working at the Webster Institute of the Adler Planetarium, and it is that data that has now been reformatted for incorporation into Ɛpsilon.
Further information about Herschel, his correspondence, and the editorial method is available online here: http://historydb.adlerplanetarium.org/herschel/?p=intro
No texts of Herschel’s letters are currently available through Ɛpsilon.
Alerts RS to the fact that there is an 'underhand sale' of the prints of [H. W.] Pickersgill's portrait of JH going on, as JH's cousin bought one.
Assures JH that engravers typically take for themselves a few copies of any print they have made. If a large number of these appear for sale, then it is fraud. Suggests JH not act because the engraver is 'insane' and the exposure would hurt his family.
JH concerned not so much that a few copies of the print of JH's portrait may have been sold, but that the plate itself may have been stolen and sold. Seems relieved to know that the plate was left with the printer, not the engraver. Asks RS to make an inquiry with the printer.
Needs the name of the print seller from whom JH's cousin bought the copy of the print of JH's portrait, so RS can learn how many copies are available. RS will then know whether to 'treat with [the printer] as an honest man or a rogue.'
Thanks RS for all the trouble he took with the problem of his portrait. Is anxious to see the specimens of the engraved nebulae of which RS spoke, but confesses little hope in photographic 'reverses' of pencil drawings. Has installed his family at Collingwood.