Has received urgent request from Athenaeum to allow them to publish paper on 'Photogenic Drawing' before it is read to R.S.L. in light of announcement of the 'Parisian invention.'
Showing 21–39 of 39 items
The Sir John Herschel Collection
The preparation of the print Calendar of the Correspondence of Sir John Herschel (Michael J. Crowe ed., David R. Dyck and James J. Kevin assoc. eds, Cambridge, England: Cambridge Univ. Press, 1998, viii + 828 pp) which was funded by the National Science Foundation, took ten years. It was accomplished by a team of seventeen professors, visiting scholars, graduate students, advanced undergraduates, and staff working at the University of Notre Dame.
The first online version of Calendar was created in 2009 by Dr Marvin Bolt and Steven Lucy, working at the Webster Institute of the Adler Planetarium, and it is that data that has now been reformatted for incorporation into Ɛpsilon.
Further information about Herschel, his correspondence, and the editorial method is available online here: http://historydb.adlerplanetarium.org/herschel/?p=intro
No texts of Herschel’s letters are currently available through Ɛpsilon.
Has received urgent request from Athenaeum to allow them to publish paper on 'Photogenic Drawing' before it is read to R.S.L. in light of announcement of the 'Parisian invention.'
Wants to withhold description of 'developing' process until it is perfected to obviate others using it. Also refers to second process to make 'positive' and 'negative.'
Some comments on JH's light and photography experiments, especially effects of different kinds of glass and fixing with ferrocyanate.
Describes mediocre results obtained using ferrocyanate of potash for fixing image. Mentions some other methods, including his favorite, common salt. Asks JH to keep these secret.
More about paper being published in both the R.S.P.T. and Athenaeum.
Finally had success washing with ferrocyanate. Wants to present note of 'his' processes to R.S.L. and so to the world.
Wishes to communicate to J. B. Biot, and so to Academie des sciences, JH's two 'beautiful' fixing methods, by hyposulfite and ferrocyanate.
Questions JH's intent to display 'photogenic drawings' to R.S.L.
Enlarges upon his method of using salt as photographic fixer; then asks JH to explain the chemistry thereof. Has tried Louis Daguerre's fixing process without success.
Further chemicals used for fixing, including bromide potash.
Comments on Louis Daguerre's use of muriatic ether, and encloses a photograph of hand writing.
Comments on a number of chemicals used in photography, as well as referring to JH's process of making 'enlargements.'
Consists mostly of a transcription of two short notes from J. B. Biot to JH by way of WT.
Sends a sample picture fixed by use of iodine [potash].
More photography comments. Problems with use of hyposulfite fixer. Superiority of English over Daguerreotype in being able to make copies.
Confused by an 'unfixed' photo from JH in which the image shows different effects from different colors of the spectrum. Also other comments on photography.
Sends JH a positive copy and a transparency. Remarks on JH's use of muriate of lead and asks JH to explain chemistry of it.
Advises JH not to publish any new processes in photography as there are patent problems. Comments on the Daguerreotype, and on the difficulty of preserving images in some circumstances.
Sends some samples of photography made with a solar microscope, and comments briefly on the Daguerreotype.